這次的設計理念圍繞著「潮起潮落」對我們的影響。我們並非只是靜止不變的石頭，而是被時間與經歷不斷沖刷、雕刻出的形態

與其關注石頭本身，我們選擇放大那些沖刷的痕跡——那些被時間侵蝕的紋理、那些不均勻的裂縫與曲線，正是這些痕跡形塑了今天的我們。

在視覺表現上，我們刻意削弱具體形態，轉而聚焦於水與時間流經的痕跡，讓畫面充滿動態的層次感，營造一種未曾靜止的流動狀態。藍綠色調與不規則的肌理象徵潮水的侵蝕與沉積，黑色的文字則像是記錄這些過程的印記，交錯間隱含著時間的推移。

這不只是關於個體的變化，更是對「我們如何被環境形塑」的提問。那些沖刷過我們的痕跡，究竟帶走了什麼，又留下了什麼？這些變化，是消逝，還是成就？或許，真正值得關注的，不是石頭如何存在，而是它如何被改變。

This design concept centers on the impact of “rise and fall” in our lives. We are not motionless stones—we are forms continuously shaped and sculpted by time and experience.

Rather than focusing on the stone itself, we chose to highlight the traces left behind by erosion—those textures worn down by time, those uneven cracks and curves—because it is these very marks that have shaped who we are today.

Visually, we deliberately downplayed concrete forms, shifting the focus to the traces left by water and time. The composition evokes a dynamic sense of movement, a state of constant flow. The blue-green hues and irregular textures symbolize erosion and sedimentation caused by tides, while the black typography acts as an imprint—quietly marking the passage of time.

This is not just a reflection on individual transformation, but a question of how we are shaped by our environments. What have the tides taken from us? What have they left behind? Are these changes signs of loss, or of becoming? Perhaps the real question isn’t how the stone exists—but how it has been changed.